Untitled photo

Bear with me for a bit. A lens is made up of both clear optical-elements (glass or plastic), and a series of light-reducing fan blades.

The arrangement of these optical-elements allow for light transmission and determines our viewing perspective (covered in Focal Length).

At the very rear of a lens, the fan-blades (referred to as the lens Aperture) and the position of these blades (referred to as the Aperture's "f/stop" value), controls the strength of the light being allowed to pass through the lens - much like a throttle controls the amount of gas getting to an engine.

A low f/stop value (say, f/2.8 or less) means as much light as possible is passing through the lens, virtually unhindered.

At the other end of the spectrum (say f/22), the light is being severely limited, and hardly any is getting through.

Untitled photo

Remember, in photography, we are attempting to capture light.

Sometimes we need all the light we can get, while other times there is just too much of it and we have to find a way to reduce it, or our photograph will be too bright (over-exposed).

Aperture position can also have a powerful visual impact on a photograph.

A side-effect to Aperture is that it allows us, under the right circumstances, to control the area of focus in our photograph, something referred to as the "depth-of-field."

Aperture f/5.6

Aperture f/5.6

Here, I'm photographing a granite slab, at a distance of 10-15 feet.

At the lower-end of the f/stop scale (with the blades wide-open and giving me maximum light-strength), my subject is in focus but the background is blurry. 

This is referred to as having a very limited depth-of-field, and is very common for portraits.

Hence the "portrait" mode setting on your camera.

Increasing the f/stop closes down the blades, resulting in much less light passing through the lens. At the same time though, it will also open up our focusing range considerably. 

Having pretty much everything in focus is very common for landscapes, hence a camera's "landscape" mode feature which will set a high Aperture value for us.

In this example, we see how the Aperture value manipulates the depth-of-field, from being very limited so our eyes are drawn solely to the rock, to where the background becomes clearly visible and a central player in our final photograph.

That's it, that's the big mystery to Aperture.

As the person in charge, we use it to set not only the throttle, but also our areas of focus - if we so choose.

Aperture is actually my favorite property because of how versatile it is...

Untitled photo

"I learned from looking at his [Ansel Adams] work the places he loved the most, and where he spent the most time, was where he did his best work. I learned from him that you have to love what you photograph, and you have to give it time."

Ion Zupce

Powered by SmugMug Owner Log In